

The Magic of Cinderella and Mary Blair ♥
Each year on her birthday, the King and Queen released thousands of lanterns into the sky in hope that one day their lost princess would return.
TANGLED (2010) dir. Nathan Greno & Byron Howard
“Under The Sea is the most complicated production number we’ve ever done. There is one live actor and everything else is digitally created. We thought, how do we do this? How do we begin? And I remember thinking about Fantasia (1940). I thought of Walt Disney and I remembered when he did Fantasia, the Nutcracker Suite sequence, he used the Ballet Russes as a template. He used their bodies to help him create the dancing flowers or the snowflakes or the mushrooms. I thought we should work with a dance company. So we brought the Alvin Ailey company over to London to work with them to create this musical number and we asked them to actually replicate these different sea creatures and how they moved. So that our CGI artists would have a body to work from and to mold from. It was insanity in a way. But I will say, at the end of the day, having that beautiful dance company there with us and being able to work with actual dancers was really the key. I think that was the key to getting into this [musical number] and figuring it out.” - Rob Marshall
THE LITTLE MERMAID (2023) Dir. Rob Marshall

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Fast rough sketches of Queen Elsa, Princess Anna and Prince Hans (Love him!) from Disney’s Frozen.
Enjoy!
DK.
Which Disney films would you explore more the worldbuilding on if you had the means?
Oh there are so many. Needless to say all the Disney Princess movies, but I’ll try to avoid saying some of them to cut out repetition and really get to a nice mix: